Well, I did warn/caution/threaten you earlier, and here it is. First, let us establish what the Hollywood scriptwriters would call a "mise en scene". SFTOC - because I'm simply not going to write that out every time - is an annual music event that takes place in Salford - hence the "Other City" part of the title, as this definitely isn't Manchester. A whole lot of bands and musicians and artists and comedians perform from early afternoon until the small hours of Monday morning, the prevailing atmosphere being one of folk enjoying their music. No rowdiness here, folks, despite a lot of beer being consumed. I shall return to this later.
Anyway, the real problem at SFOTC is the sheer number of performances being put on, frequently at the same time. Your humble scribe had heard of only two acts amongst the dozens and dozens present - Irma Vep and Ex-Easter Island Heads.
Event Hurdle Number One is to negotiate your way around the set listing. Art?
The complete listings - almost! |
Music by Numbers? |
"Oh well, nobody is starting before 3 o'clock!" I told myself, and went off to get a bit of lunch. Art?
Last year this was standing room only |
Then - I turned over the set listing. Ooops!
There's Grotbags, right there, 3 cm. above the "r" in "there |
That's Ian, tripping lightly between the balloons |
At this point your humble scribe took a look around the venue, which is a big industrial shed, prettified somewhat with balloons and tinsel.
Prettified |
"My Cat's Gonna Live Forever" they sang. Not at that volume it's not! Blended rock and roll noise, categorises Conrad.
Then it was across the yard to Venue 5, which meant catching Oscar. And here Conrad does his good deed for the day, as the barman at "Cloudwater Brewery" mistakenly gave him change for a £10. "O no it was a fiver," I explained, to his express gratitude. "Also, that <does strange arm gesture> was a comet," as I'd been trying to order this over Oscar's noise. Art?
Oscar performing |
Well, Conrad categorises Oscar as quite light, bordering on poppy, but not bad for all that. He is more concerned about this:
What on earth? |
I then tried to find Venue 16, the Salford Zine Library, which did not exist where it ought to have done. Clearly space-time pirates had whisked it off into a higher dimension until the heat-death of the Universe arrived. That, or the map was wrong*. Here is where I bumped into Liam from work, who was trying to find a particular venue, or act, possibly here in the Sham Bodie Bexley Square Tent.
Then it was off to Venue 6, a.k.a. St. Philip's Church, and a brave move for the clerical authorities, allowing squadrons of beer-bibbing punters inside -
Actually not that big a risk, there were three Stewards sat on pews to my left who never moved for the whole performance. SFTOC gig-goers are apparently a tolerant and respectful bunch. The act you see there are She Drew The Gun, which is, you have to admit, a trifle ambiguous. Drew with a chinagraph pencil or removed from holster? As you can see, bathed in blue light, which is apt as I'd call them sombre. Brooding, even, and a worthy discovery.
Outside and back round the corner to Sham Bodie and the Bexley Square Tent, where Jack Evans was doing a stand-up routine based around games, principally Cluedo. Not bad, rather clever, even, yet swimming against the tide for those of us (i.e. me) who were expecting music. Art?
Stand-up. Jack and I are both doing it, but he has to work harder. |
The Salford Arms |
Venue 12 - The Kings Arms. Art?
Moody interior shot |
The evidence |
Well, there you go again. I thought this would be a picture-heavy post, and instead we're at over 1,000 words, which I think is a cue for me to -
* I know which one I'd go for.
No comments:
Post a Comment