My late visit to the Staffordshire Regimental Museum. I still have some photographs of the internal displays to work through, which might have been eked out over a few more weeks, were it not for the extremely upcoming trip to Barcelona. This is very much a case of boom-and-bust, since there will be a gap of several days before anything gets posted on BOOJUM!
So, let us wit
As I was saying, let us go back and revisit the museum -
Glider riders |
You need an aside here. Not want, need. As regards airborne troops, nowadays it's all done via helicopters, but back in the Second Unpleasantness you either went in by parachute, or by glider.
This, need I add, is a glider |
If you used a glider then the cost went north, although you landed a whole lot of men in the right place at the same time, which is VERY VERY IMPORTANT in military stuff like this.
Underselling, and then some. |
Still On Matters Martial
Because you can never have too much TANK.* Here I begin my article with a characteristic whinge about Codewords - I like to be consistent - though this is on your behalf, not mine. For am I not proficient with words?**
So, "TETRARCH". Which is a name familiar to those of us who know too much about TANK (guilty as charged, your honour). Art?
The Codeword compiler might have been rubbing his hands gleefully and tweaking the ends of his moustache (having been brought up on Victorian vaudeville villains), but - he didn't fool Conrad.
Those pictures above show the Tetrarch Light Tank Mark VII, which Roman numerology is quite apt, as a 'Tetrarch' was the Latin term for a provincial governor. The Tet, as we shall call it, had a short production run and a brief battlefield life, because it was - light. As in not having much armour or firepower. It got kind of fobbed-off to the 6th Parachute Division, where it did not perform swimmingly in Normandy. We also fobbed-off 20 or so to the Sinisters, who agreed about the lack of armour and firepower, but whom were very impressed by it's manouvreability and nippiness.
Another glider rider |
<shrieking and sizzling as Conrad destroys the invading KILLER EEL KOMMANDO with his thermite cannon of Doom>
Where were we? hang on while I do a bit of filleting <long pause filled with gruesome noises> Delicious! Now, back to .
BEING BITTEN BY THE COINCIDENCE HYDRA AGAIN
What did I post about yesteryon but The Mansion's airy Upper Dungeon, and I even bothered to add in an artist's impression using a lithograph by Giovanni Piranesi. It was taken from a series of sketches he did, depicting a series of imaginary prisons, dubbed "Carceri". They're brilliant, all grim and forbidding and evoking a sense of dread and awe as they seem to go on for ever.
Today, reading an article on the Beeb's website, what do we come across but the following -
"Carceri" by Piranesi. Erk. |
Watch Out ...
Further to the Beeb's website, there is an interesting little article about how automation and robotics are placing various unskilled or semi-skilled occupations at risk. Jobs like shelf-stacking or basic sales occupations are amongst those most likely to have the squishy human meatbags displaced by a coldly-efficient robot. They say waiting staff are also threatened, but Conrad has his doubts - there's always a market for bright young attractive things.
|
The thin end of the wedge |
This is real. |
Who are merely biding their time until there are enough of them and then THEY'LL TAKE OVER THE WORLD IN THE ROBOT REVOLT.
Perhaps.
This is not real. Yet. |
Chin chin!
* Can you?
** Rhetorical question. DO NOT ANSWER!
*** Universe, this is not a challenge!
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