- this might take a bit of explaining, and you know your humble scribe can get a bit rambling, since he is his own editor.
Anyway, I would just like to promptly derail the conversation and inform you that this Wednesday has been my effective Saturday; that is, since I am working on Saturday, today has been my day off, which I celebrated by having a lie-in. This also means you're only getting a single post on Saturday.
Okay, back on track. Quatermass! Recall, if you will, the article I posted yesterday about "Quatermass and the Pit", and if we cattle-prod Art awake -
The feature in the Pit |
Three of these, colloquially known as "Hobs". They were static models, held in place by a type of webbing that our heroes deem to be a variety of artificial nerve. Bear that in mind - static. However, the second after that shot above, somebody nudged the prop hull,causing the Hob above to suddenly jolt forward at the camera. It made audiences jump. Not only that - Art?
It startled the two actors above, too, since they didn't expect any kind of movement from static props. Thus, alarmed, they exclaimed at the sight of Hob on the bob, as it were.
I should also point out that the Pit was located at Hobbs Lane, which we see evidenced in a street sign. Art?
Note the earlier version |
What's that? You were expecting to see an analysis and wistful reference to the Eighties and hair-metal band Motley Crue (sorry, don't have an umlaut option on my keyboard) and an alleged album they released that also went by the name of "Shout at the Devil"? Pshaw! You're having me on. I doubt very much any such record ever existed and even if it did, my money would be on this -
Not a can of hairspray in sight |
Yes, About 'The Motley'
If you are new here, or perhaps a Motley Crue fan - that really is an honest coincidence that I've only just realised - then I perhaps ought to explain about the motley and all the torments that get inflicted upon it. Well, firstly, I'm a sadist. There. That's that out of the way.
You can see it in those cold, hard eyes, can't you? |
Prepping the motley for a trip over Niagara Falls.** |
Yes, we are back with Le Tourneau and his monster machines again. The fellow was nothing if not prolific and consistent. He appeared to see a market where nobody else did, and then created something huge to fill a need never seen previously. I give you - Art?
The Model B Tournacrane |
Judge Dredd: Day of Chaos
Conrad rather wonders how a scriptwriter feels when he's asked to create a new series or episode for a series that previously ended on a cliffhanger with No Way Out for our hero. And no cheating allowed, as in the old 'Flash Gordon' serials, where they completely ignored the previous reel's ending.
"Gee, thanks so very much!" is probably how they feel, and so must any artist or scripter coming to the world of Judge Dredd after the above-named series.
- 400 million to begin with |
So, anyone coming along afterwards has this to consider, and again they are probably thanking the writer John Wagner, a little insincerely.
"Thank you, John, thank you SO MUCH!"***
Richard Wagner. Close enough |
* We cut the brake lines.
** This may not be entirely true.
*** Pronounced "Bloody hell what have we got to work with now?"
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