This Intro dates back to a question posed on Quora, where the question asked was along the lines of "Which is the most powerful intelligence agency in the world?" and the first answer was from Roland - I shall spare his blushes and avoid giving you unspeakable perverts his surname - who said the CIA, because of it's sheer financial clout. It's almost bottomless pockets enable it to outbid any other intelligence agencies when it comes to recruiting spies across the globe.
CAUTION! This is fiction. Mostly. |
This bold assertion by Roland triggered a recollection in the labyrinthine maze of nonsense that makes up Conrad's untidy mind. I clearly remember the book - Art!
So, since I now have a looooong bus journey into the office once again, Your Humble Scribe has been re-reading this work. I hit pay-dirt (whatever that is) on Page 257, where Ol' Gord writes "It [MI6] never publicly confirms or denies the identity of anyone who has spied for it for a simple, utilitarian reason." He mentions the CIA's oodles of cash, then "The British argue that they maintain their own competetive niche in the spies' marketplace by offering something that some spies may treasure even more highly that money - the promise of secrecy and of never revealing their identity." Art!
Ol' Gordy |
There's another gentle barb on Page 271: "MI6 liked to think it was more subtle in it's approach, relying less on cash and more on understanding an agent's motivation". Yes, the South Canadians might have responded, you might well take that attitude when you've only got pennies in your coffers.
Yes, that is indeed Mister Sergei Skripal. You can understand why those other seventy-nine ex-spies are going to keep a low profile going forward.
Conrad is a little apprehensive that he recognises several of these people (the consequence of reading three books on the subject). Standing at the back and looming large is Scruffy Steve Bannon, looking un-natural with a proper haircut and a suit. The white-haired chap is Mike Pence, the Vice President, and the dark-haired fellow looking as if trying hard not to fart is Michael Flynn. DJ Tango has had files and folders and papers piled up on his desk to look 'Presidential' because he can't actually read**.
This is John Gilbert playing the lead character, James Apperson, a rich playboy. It's pretty difficult to convey the finer nuances of acting when you've got no dialogue, hence the tendency to ham it up a bit. There are insert cards that display crucial bits of speech or setting. Art!
Gerard Pique |
"LYCEUM": Hmmmm "A public building for concerts and lectures". From the French 'Lycee' which is itself derived from "Lyceum", a school in Athens of antiquity. Art!
"REBUS": I have a sneaking feeling that we've come across this once before. It is a puzzle using pictures or symbols to represent syllables and words, and the most recent example I can think of is from Sherlock Holmes and "The Adventure Of The Dancing Men". Art!
Predictably, this rumour went
around the complex in seconds, leading to a sudden rush of bio-vores for the
trans-mat platform. Within five minutes
of the Doctor’s message about the last chance to get home, only a few dozen
bio-vores were left alive and in the complex.
Detachment Leader Kaybol (who had been Under-Technician Kaybollatri a
few hours ago) stamped around until finding the Doctor, who was lounging on a
pillar, contemplating his work and how long it might take until Homeworld
enjoyed genuine freedom.
‘You
are under sentence of death!’ crowed Kaybol.
‘You will be executed!’ He sounded positively happy. ‘Eliminated!
Eviscerated!’
‘Don’t
push out the funereal boat too soon,’ rejoined the Doctor. ‘Most of your garrison here seem to be either
dead or back on Homeworld.’
Kaybol
grinned the feral bio-vore grin and made as if to lunge at the Doctor.
‘Fool! All I
need now is a source of fodder.
Even hay, as you term your fodder, will do.’
‘It’ll
take more than hay or hazel,’ carried on the Doctor. ‘You’re entirely cut-off from Homeworld with
no escape.’
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