- although a lot of it is ad-libbed, I admit, and because of the psychic stew
- psychedelic stew, close enough - |
that makes up my mind, I'm never sure quite what is going to pop out. Or up. Art?
Conrad's inimitable scrawl |
<sigh>
Okay, this cropped up yesteryon, when I was trying to make the point about monsters that carried weapons, and - you know, it's harder than you think to find any such example. Monsters, by their sheer monstrousness, tend to be already armed with talons and fangs and giant poison spines and laser eyes and acid for blood, so they are less reliant on the manufactured deadly artefact. So, I chose the Gorn, from a little-known cult
They dropped the "The", apparently |
My point yesterday is that the Gorn (Gorns? Gornies? Gornish?) are not only frightening in appearance, they are also brutes in behaviour, who probably slobber their port right out of a bucket, never mind passing the decanter to the right. Art?
Aftermath of a Gorn party |
One of them has halitosis |
<another sigh>
It was not to be.
There you go, my rationale about Gorns. Hang on, did that monster feller have any footwear? <checks Google>. No he didn't**. So he might develop podiatric trouble, and thus you'd have Gorns with corns -
Motley! Come here, put this metal bucket over your head and let me hit it with a hammer, to distract people from the sheer awfulness of that idea.
When you've got no tinfoil |
Stormin' Like Norman
Yesterday I was bemoaning the fact that strange facts and images will surface from the depths of my mind, unbidden, from where they have lain in treacherous silence for decades. Like the adventure strip I couldn't remember from a comic I also couldn't remember, yet which I tracked down yesterday. Go me. Art?
Courtesy the blog "Great News For All Readers", and below a link:
http://www.greatnewsforallreaders.com/
Your Humble Scribe is a tad confounded, being as how I thought the protagonists were sword-wielding savages from prehistory. O well, that's what the passage of 50 years does to your memory. I don't suppose it's too much of a spoiler to reveal that Tom Taylor does indeed find his dad, and there is a sequel story called "The Terrible Trail From Tolmec", which has a kind of logical symmetry that Conrad finds appealing.
Thus |
Meanwhile, Back In 1642
The Battle of Little Splene has just finished it's twelfth turn, and it's turning into what frequently happened in battles of this period: two separate cavalry battles on the wings and an infantry tussle in the centre. Art?
Just to illustrate what's happened, let us view the very beginning of the game. Art!
Very neat and tidy! What you can't see in the latest picture is three Royalist units that have Routed off the field; the Polemos rules mean that if a unit is in rout and runs into another friendly unit, it is removed from play. This reflects a complete breakdown in discipline and organisation in real life, which happened a lot, since these were not trained, experienced soldiers for the most part, but barely-trained levies. In real life a unit that routed as on the tabletop would be scattered for miles, and the officers and sergeants would take days to round them mostly up. Not all, as some would take the opportunity to desert.
Oh! Hello Ollie - I was just - er - bigging-up your chaps, honest. |
Big Brick Bridge
If you remember, AND YOU SHOULD, Your Humble Scribe was pondering about a bridge that the log-on screen displays, and which was alleged to have used a million bricks for it's construction. Art?
Behold the Balcombe Bridge |
In fact it's known as the "Ouse Valley Viaduct", and I think that picture above is an old one, as the structure was extensively renovated in the Nineties. Art, again!
The picture blurb is highly inaccurate, since it took eleven million bricks to build it, and they were transported to site by - O irony! - barges on the nearby canal.
My question yesterday was "Why build this enormous bridging structure instead of merely constructing a railway down into the valley, a very small bridge and then another sloping railway on the ascent?"
Time and Technology, Conrad, time and technology! <said in a chiding voice to himself>. The line that the viaduct serves was designed with a 1 in 264 incline, so the bridge merely continues this almost-horizontal layout, rather than the (guessing here) 1 in 7 descent and ascent into and out of the Ouse Valley. Why is this relevant? Art!
A 2-2-2, whatever that means |
"NO!" |
And with that, we are O so done!
* Thank heavens Tibby found a Magical Golf Ball Projector to defend themselves with!
** Er - are we sure it was a "he"? You know the effect Tibby has on green-skinned women; perhaps all that desperate clinching was her - no, no, the idea is too terrible to contemplate <reaches for eyebleach>
*** Well, you know, the Star Trek writers and Frederick Brown seem to have had one ...
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